PLOT– A collection of visceral, magical, and often horrifying short stories by Amelia Gray.

LIKE– I received Amelia Gray’s short story collection, Gutshot, as part of my Quarterly Company Literary Box. The spring 2017 box was curated by Borne author, Jeff Vandermeer and as part of his picks, Vandermeer included Gray’s collection.

I had never heard of Gray previous to her book arriving in my box, but immediately, I was drawn to the title and cover art. I packed Gutshot to take on my cruise to Alaska, but just a few pages into the first story, I realized that this was too special of a collection to read while on a distracting, family holiday. I stuck to magazines for the vacation. Now, eight months later, I finally found a distraction free afternoon and took the plunge.

Many of her stories are raw and powerful. There are few that elicited the feeling of the title: Gutshot. I felt physically moved and wounded while reading them.

Here are a few of my favorites.

A Contest- a micro-short about people competing to put on the best display of mourning for a person that they love who has died. They are told that the gods will pick the person that has experienced the most grief and that person’s loved one will come back to them. Several people are mentioned and they are all very worthy, including parents grieving over a lost child. The story simply ends with one sentence involving a character who had not been mentioned earlier in the story, a woman who opens her front door to find that her cat has returned. This had me in tears. I’ve lost so many people and pets in my life, but honestly mourning a pet is such a different type of grief.

The Lives of Ghosts – Marcy has recently lost her mother, but discovers that her mom is haunting her in the form of an enormous pimple on Marcy’s face. A pimple that talks and gives advice, including unsolicited motherly advice. This story was so completely unexpected, humorous, and ultimately heartbreaking. I found myself laughing out loud at this irreverent story.

Thank You– A hilarious story about an escalating passive-aggressive exchange of thank you notes. Thank You, as with many of Gray’s stories, increases in outrageousness, creating a fantasy situation. Very funny and relatable. I don’t think there are many women who won’t relate to this frenemy story with manners.

DISLIKE– I can’t claim to like each of Gray’s stories with equal measure; some were so bizarre that I found trouble connecting. Often her stories turned grotesque or incredibly violent, which is not something that bothers me, but I also felt that it didn’t always serve the story, like it was for shock value more than anything.

RECOMMEND– Yes! Gray is a talented writer and the stories in Gutshot are not ones that I can easily compare to another author. They might not be everyone’s cup of tea, but they are certainly original. The stories that got me in my gut, I will not soon forget. I look forward to reading more stories by Gray.

A Thousand Rooms



Thank you to NetGalley and author Helen Jones for providing me with a copy of A Thousand Rooms in exchange for an honest review.

PLOT- Katie has just died and she finds herself at the scene of her death without anyone to greet her or further instructions. When she thinks of something, such as the store where she purchased the snazzy new red heels that she was wearing when a car hit her, she is transported to that place. Katie begins to get the hang of transporting herself and travels to see her family and friends as they deal with her death, but she is still left wondering, if this is all there is?

Katie get an idea to travel to a convalescent hospital to be near another human when they die and she discovers that the afterlife is different for everyone. Katie learns that she can travel to different afterlife realms and soon she is gathering pieces of the puzzle to understand the meaning of her own death.

LIKE– Jones fills A Thousand Rooms with so much creativity that I kept turning the page to see what was coming next. I couldn’t anticipate where Jones was taking her story, which kept it compelling. She weaves folklore and concepts from various religions into the different rooms/realms that Katie visits. I love the idea that the afterlife can be such an individualized experience. One of my favorite small twists is when Katie thinks she is witnessing a death, but it turns out to be a conception. It’s a joyful moment. Also joyful, are the scenes when Katie is reconnecting with her grandfather in their heaven. It’s a wonderful balance after the somber scenes of Katie watching her family on earth grieving.

DISLIKE– Katie felt flat. I could easily go along with her story because it was so unexpected, but I had difficulty both imagining her physically and going along with her emotional journey. When I felt emotion, it was situational, rather than because I was connected to the protagonist. For example, having experienced profound grief, I felt emotions while reading about her parents and friends in grief, but not for the loss of Katie specifically. When Katie connects with Jason, I didn’t feel the emotions. I like the concept of their relationship and how they are kept apart, but I didn’t bond with either character.

RECOMMEND– Maybe. A Thousand Rooms is a quick read and I liked the concept of Jones’ story. My lack of connection to the characters hold me back from fully recommending A Thousand Rooms.